Items

Title: New York Milk Committee Ephemera Collection
Description: The New York Milk Committee Ephemera Collection contains materials issued between 1910 and 1917 or 1918 by the New York Milk Committee and its Committee for the Reduction of Infant Mortality, dealing with their work in the Blue Front milk stations in New York City where they distributed milk and educated mothers.
New York Milk Committee. New York Milk Committee Ephemera Collection, New York, 1910-1918.

Title

Transfiguration

Description

A core class at Hogwarts for years 1-5, Transfiguration teaches young wizards the art of changing the appearance and characteristics of an object. This course has historical roots in the practice of alchemy, embraced by a diverse group of scientific investigators interested since the Fall of Rome in changing base metals into gold and achieving the philosopher’s stone, rumored to secure eternal life. The practice of alchemy continued through the eighteenth century.

Disclaimer: This exhibition is not licensed or endorsed by Warner Bros. or J.K. Rowling.

Title

William S. Ladd Collection of Prints

Description

The William S. Ladd Collection of Prints consists of 671 prints, primarily portraits, dating from the 17th century through the early 19th century. In 1975, the Academy accepted the Ladd Collection as a gift from the Cornell University Medical College. William S. Ladd, the original donor, had been Dean of the Medical College and when his significant collection of prints came into the Medical College Library, Erich Meyerhoff, the Librarian, recognized its research value and the fact that such a collection properly belonged in a major research library. With the permission of the Dean of the Cornell University Medical College and the donor’s son, Dr. Anthony T. Ladd, Eric Meyerhoff offered the collection to the Academy. It was accepted and arrived in the Malloch Rare Book Room (now the Drs. Barry and Bobbi Coller Rare Book Reading Room) in May of 1975.

The prints themselves had been accumulated in the first half of the 20th century by William S. Ladd. He had purchased a great many of them as deaccessioned duplicates from the Ashmolean Museum at Oxford. Primarily portraits of significant and lesser known figures in medicine and science, the prints span a period from the early 17th century to the first half of the 19th century. The printing processes used to render the various images include etching, engraving, stipple, mezzotint, and lithography. Among the etchers, engravers, artists and lithographers are some very famous names, a history in fact of English and Continental art and printmaking, with a smattering of American efforts among the lot. For example, the portrait of John Syng Dorsey (1783-1818), a little known American surgeon who rated a footnote in Fielding Garrison’s An Introduction To The History Of Medicine, is an engraving after a painting by Thomas Sully (1783-1872). Sully, who had studied with Gilbert Stuart and Benjamin West, is best known for his famous painting of Washington crossing the Delaware. The portrait of Charles Lucas (1713-1792), an Irish physician who did not even get a footnote in Garrison’s work, was engraved by James McArdell after a painting by Joshua Reynolds. James McArdell was an engraver who specialized in mezzotints. ...READ MORE

The New York Academy of Medicine Library and the William S. Ladd Collection of Prints digitization was supported in part by funds from the Metropolitan New York Library Council (METRO) through the New York State Regional Bibliographic Databases Program.

Ladd, William S. The William S. Ladd Collection of Prints, ca. 1600 to ca. 1850.

Title

History of Magic

Description

The Academy Library’s card catalog, in service since the late nineteenth century, has a drawer devoted to witchcraft. Witches were pursued in earnest in Europe for centuries, culminating in the witch trials of the sixteenth and seventeenth centuries. The historical record offers many accounts of occult practices and witch-hunting manuals.

Attention to magical tricks-of-the-trade, over time, will serve you well in your studies, and may prove to have practical applications.

Disclaimer: This exhibition is not licensed or endorsed by Warner Bros. or J.K. Rowling.

Title: The New-York Milk Dairy

Title: Selected images from the West Port murders
Description: Images selected by the New York Academy of Medicine curator from the book 'The West Port Murders ...' for display as JPEGs. Includes portraits of Burke, Hare, and their respective partners; a view of Burke's execution; an image of Burke's house; and the ground plan of Burke's house.

Title: Au Régiment Spécifique Victorieux: La corvée de quartier
Description: Trade card advertising Victorieux featuring an image of five men in white uniforms cleaning the street. They are sweeping and shoveling horse refuse and carting it away in a wheelbarrow. Soldiers (including one playing a trumpet), a horse, and buildings are visible in the background. The back mentions the French army's use of the Victorieux.
Subjects (LC): Advertising—Medicine, Animals, Brooms And Brushes, Carts And Carriages, Hats, Housing, Men, Men's Hats, Musical Instruments, Refuse And Refuse Disposal, Shovels, Street Cleaning, Streets, Trees, Trumpet
ID: WH372
Collection: William H. Helfand Collection of Pharmaceutical Trade Cards

Title

Here biginneth the inventorie or the collectorye in cirurgicale parte of medicene compiled and complete in the yere of oure Lord

Description

An illuminated and illustrated manuscript of the Chirurgia magna, or great surgery, by Guy de Chauliac. Attempting in the Chirurgia to collect the best medical ideas of his time, he compiled sources from Arabic and Greek writers, including Rhazes, Avicenna, Hippocrates, Aristotle and others. Guy wrote the first text of the Chirurgia in Latin at Montpellier, in approximately 1363. This text was published in many editions and remained the authoritative text on surgery through the seventeenth century. It consists of 181 pages of English black letter in double columns and lines lightly ruled in red. It is ornately illuminated in gold and silver with finely decorated floral borders and large floriated initials, heightened with gold leaf. The manuscript includes 24 drawings of surgical instruments. The calf binding dates to Henry VIII’s reign or to the Elizabethan era. The original brass and leather clasps are engraved with stars and lion heads. There has been dispute about the manuscript’s date, with authorities dating it between the late 14th and second half of the 15th century. The manuscript was sold with the Streeter collection to the New York Academy of Medicine in 1928.

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Subjects (LC)

Early works to 1800, Illumination of books and manuscripts, Manuscripts, Medical illustration, Medicine, Medicine—History, Medicine, Medieval, Surgery—History, Surgical instruments and apparatus

Title: Frontispiece

Title: Brooklyn

Title: Miniature representation of Hood's No. 3 Placque
Description: Trade card advertising Hood's Sarsaparilla featuring a circular image of a buck with large antlers. He is standing in a field with grass and wildflowers. There is a snow-capped mountain in the back. The back quotes testimony from satisfied customers.
Conditions Cured (LC): Asthenia, Indigestion
Subjects (LC): Advertising—Medicine, Animals, Deer, Mountains, Nature
ID: WH149
Collection: William H. Helfand Collection of Pharmaceutical Trade Cards

Title: Drugs and Medicine
Description: A collection of texts on drugs and medicine, covering patent medicines, Chinese medicine in the West, medicinal plants native to America, and early documentation of zoology, botany and medicine in Brazil.

Title

Publisher’s Prospectus & Order Form, Icones Anatomicae

Description

Andreas Vesalius’s De humani corporis Fabrica of 1543 is probably the most beautiful anatomical atlas produced in the 16th century, and Vesalius spared no expense in hiring extraordinary craftsmen to create the woodblocks. In 1932, Samuel Lambert began raising money for the publication of the Icones Anatomicae, an edition of all of the images from the two editions of the Fabrica (1543 and 1555) and some of Vesalius’s other publications. A search at the University of Munich turned up a box containing 227 of the blocks used in the production of the Fabrica and its companion publication from 1543, the Epitome. The University of Munich agreed to co-publish the volume with Academy. No expense was spared in the creation of the book; fine handmade paper with a special watermark was created especially for the volume, and photographic reproductions of the missing blocks were made and subtly marked in the descriptive tables. Four hundred copies were printed and sent to Academy. The title pages of both the 1543 and the 1555 editions of the Fabrica are included in the Tabulae, along with a number of the skeletons, muscle men and flayed men that are some of the Fabrica’s most iconic images.

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Subjects (LC)

Anatomy, Anatomy, Artistic, Anthropometry, Early works to 1800, Human figure in art, Medical illustration, Medicine, Muscles, Musculoskeletal system, Proportion (Anthropometry), Proportion (Art), Wood-engraving

Title: Parker's Tonic: the Great Health and Strength Restorer
Description: Trade card advertising Parker's Tonic, Parker's Hair Balsam, and Floreston's Cologne featuring an elderly man sitting desolately in a chair on the left with a healthy, vibrant man dining on a luxurious meal on the right. The man on the right is seemingly pouring himself some Tonic while the man on the left is bemoaning his lack of appetite. The back lists the curative properties of the Tonic and Balsam and touts the beauty of the Cologne.
Conditions Cured (LC): Asthma, Body Fluids, Bronchitis, Cold (Disease), Cough, Dandruff, Diarrhea, Dysentery, Indigestion, Itching, Malaria, Neuralgia, Rheumatism, Tuberculosis
Subjects (LC): Advertising—Medicine, Bottles, Clothing And Dress, Dinners And Dining, Hats, Old Age, Suppers, Tableware
ID: WH179
Collection: William H. Helfand Collection of Pharmaceutical Trade Cards

Title: Queste sono le cose contenute in questo dignissimo Fasciculo di medicina vulgare :... [1509]
Description: The ninth edition of the Fasciculus, printed in Italian in Milan (all other editions featured here are Venetian). The edition was printed by Giovanni de Castellione at the expense of Giovanni de Legnano and his brothers. While both plates and texts are taken from the Venice, 1493 edition, the plates have been reversed and introduce a number of variations. The plate with the circle of urine glasses is colored to correspond to their textual descriptions.
Subjects (LC): Medicine-Early works to 1800, Human anatomy-Charts, diagrams, etc, Genitourinary organs-Early works to 1800, Generative organs-Early works to 1800, Plague-Early works to 1800

Title: Fasciculus medicine ... tractans de anothomia et diversis infirmitatibus, et corporis humani...[1513]
Description: The eleventh edition of the Fasciculus, printed by Gregorio de Gregorii and featuring Latin Gothic type. The size of the printed page is much larger than in all other editions apart from 1491; as a consequence, the plates are less clipped by the binder (though the blocks themselves are abbreviated). Our copy lacks the frontispiece plate and the urinoscopic consultation plate.
Subjects (LC): Human anatomy-Atlases-Early works to 1800, Medicine-Atlases-Early works to 1800, Human anatomy-Early works to 1800, Genitourinary organs-Early works to 1800, Generative organs-Early works to 1800, Plague-Early works to 1800, Medicine-Early works to 1800, Human anatomy-Charts, diagrams, etc

Title: Our Boy: Compliments of Scott & Bowne Manufacturers of Scott's Emulsion
Description: Trade card advertising Scott's Emulsion featuring a portrait of a young boy in a nautical outfit. He has brown, curly hair, blue eyes, and flushed cheeks. The back lists the ailments the Emulsion can cure.
Conditions Cured (LC): Anemia, Cold (Disease), Cough, Scrofula, Tuberculosis
Subjects (LC): Advertising—Medicine, Boys, Children, Children's Clothing, Clothing And Dress, Portraits
ID: WH350
Collection: William H. Helfand Collection of Pharmaceutical Trade Cards

Title

Historae Rerum Naturalium, Liber Sextus, Qui agit Quadrupedibus, & Serpentibus

Description

The Dutch West India Company occupied northeastern Brazil from 1624 to 1654. In 1638, the physician Willem Piso and astronomer Georg Markgraf arrived as part of Johann Maurits’s research staff, tasked with promoting scientific studies in Brazil. This section of the Historia naturalis Brasiliae was written by Piso's colleague, the astronomer Georg Markgraf. Markgraf wrote the last eight sections of the Historia naturalis Brasiliae, of which this is the sixth. These sections as a whole were devoted to the medical uses of plants; to fish, birds, insects, quadrupeds and reptiles; and to full descriptions of geographic regions and their inhabitants. Markgraf also describes the appearance, habits, and environment of each animal depicted.

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Subjects (LC)

Botanical illustration, Early works to 1800, Indians of Central America, Indigenous crops, Indigenous peoples—Ecology, Natural history—Brazil, Natural history illustration, Medical geography, Medicine, Zoological illustration, Zoology—Brazil, Zoology—Pre-Linnean works, Wood-engraving

Title

Engravings of the Arteries

Description

This early work by the Scottish anatomist Charles Bell was composed for medical students and aimed to offer accurately and simply-rendered illustrations of the arteries. It was used as a preparatory text for surgical study and practice. The ten engravings in this volume were hand-colored, and labelled with letters corresponding to explanatory descriptions of the arteries on the opposite page. Bell was an accomplished medical illustrator; the engravings were done by Thomas Medland after Bell’s drawings. For Bell, true anatomical understanding was aided in pairing accurate drawing with thorough description. Bell believed that a variety of bodies should be used as subjects, and that the artist must choose the most typical anatomical examples to copy accurately. Bell made important inroads in determining the sensory functions of the nervous system, and was an early advocate of the idea that different parts of the brain controlled different functions; his pioneering work on the brain and cranial nerves influenced the work of other important brain researchers for decades. Chief among his achievements are his very fine medical illustrations, unsurpassed in terms of efficiency of presentation and elegance. These are very much on display in this beautiful book.

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Subjects (LC)

Anatomy, Arteries, Arteries—Surgery, Atlases, Engraving, Medical illustration, Medicine, Nervous system, Surgery, Surgery—History

Title: Information Cards

LIBRARY DIGITAL COLLECTIONS & EXHIBITS

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