Items

Title

An Abstract of the Patent Granted by His Majesty King George…

Description

Patent medicines originated in England in the mid 17th century and were marketed with extravagant claims, offering cures for a host of maladies. Recommendations for dosage were vague, and ingredients (often including opium) were usually not specified. In 1726 Benjamin Okell was granted the royal patent for Dr. Bateman’s Pectoral Drops, a tincture of gambir (an astringent extract from an Asian plant) and opium. Advertisements published in the London Mercury as early as 1721 directed prospective customers to the warehouse and printing shop at Bow's Churchyard, where they could purchase the drops for one shilling. Our copy of the 1731 reprint by Peter Zenger is likely the first piece of medical printing in New York. Zenger, who would later become famous for printing seditious texts, was instrumental in establishing freedom of the press in America. The Academy has the only known copy. Bound with our copy of the abstract is a copy of A Short treatise of the virtues of Dr. Bateman's Pectoral Drops, also issued by Okell and his printing house partners. Here, Batemans efficacy as a treatment for numerous ailments are described in sections dedicated to each. The last section of the treatise offers testimonials from satisfied customers.

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Subjects (LC)

Advertising—Medicine, Early works to 1800, Fever, Medicine, Patent medicines, Rheumatism

Title: A collection of choise receipts : manuscript, circa 1680-1700
Description: Late 17th-centrury English manuscript divided into two parts: "A Collection of Choise Receipts" and "A Book of Physical Receipts." The first part of the manuscript contains approximately 390 recipes on 254 numbered pages. Of the recipes in the first part approximately 204 are culinary and approximately 175 are for medicines, perfumes, sweet bags, cosmetics, and household cleaners. A large portion of the culinary recipes concern banqueting, particularly fruit preserving; wines, liqueurs, non-medicinal waters, and syrups; and cakes and biscuits. Dinner and supper recipes, such as puddings, meat, poultry, and fish, are also well represented. The second part contains approximately 781 medicinal recipes on 214 numbered pages. Various diseases and conditions such as ague, bleeding, consumption, colic, dropsy, fits, fever, plague, pox, and stone are mentioned. Both parts are followed by indexes. The entire manuscript is written in one very legible hand, possibly that of a professional scribe. The characters "J H" appear frequently in the first part of the manuscript. Many of the recipes are attributed, some to nobility.
Subjects (LC): Cooking, English -- Early works to 1800, Medicine -- Formulae, receipts, prescriptions -- Early works to 1800, Traditional medicine -- Formulae, receipts, prescriptions, Manuscripts, English -- 17th century

Title

Apicius [De re culinaria Libri I-IX]

Description

This manuscript contains 500 Greek and Roman recipes from the fourth and fifth century, both culinary and medical, reflecting the polyglot culture of the Mediterranean basin. Sometimes referred to as the oldest extant cookbook in the West, the manuscript is divided into ten books. It is likely that the Apicius began as a Greek collection, mainly written in Latin, and adapted for a Roman palate. The collection is likely compiled from many sources, as no evidence exists that Apicius (a Roman gourmet in 1st century AD), authored a book of cookery. Our manuscript was penned in several hands in a mix of Anglo-Saxon and Carolingian scripts at the monastery at Fulda (Germany) around 830 AD. It is one of two manuscripts (the other at the Vatican) presumed to have been copied from a now lost common source. The Apicius manuscript is the gem of the Academy’s Margaret Barclay Wilson Collection of cookery, acquired in 1929.

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Subjects (LC)

Cookbooks, Cooking, Latin peoples, Cooking, Mediterranean, Cooking, Roman, Early works to 1800, Manuscripts, Medicine

Title

Des aller furtrefflichsten, hoechsten und adelichsten Gschoepffs aller Creaturen

Description

Walther Hermann Ryff was a surgeon employed in Strassburg in the early 16th Century. One of the highlights of this text are the 42 hand-colored woodcuts in the text, compiled from a number of Renaissance sources. Depicted in the counterfeit style, the illustrations in this book would have implied eye witness knowledge and discovery. In this way, Ryff’s book asserted itself as a credible description of anatomy (though its illustrations were far from anatomically accurate). The text of this book relied on lectures in anatomy and physiology, compounded from other sources. His audience was the ‘gemeine,’ or common man, and its composition in German, rather than Latin, ensured it would have a wider audience. In this way, Ryff’s book would have been indispensable to new readers as a compilation of Renaissance knowledge about the body. The book also offers evidence about early printing history. The wood-blocks for this edition were reused for a set of broadsides before they were passed to a Parisian printer for new editions of Ryff’s work, and for a popular work on surgery. This illustrated the practice of passing wood-blocks from publisher to publisher, and shows how work published in one city continued to be published and disseminated in others

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Subjects (LC)

Anatomy, Anthropometry, Early works to 1800, Medical illustration, Medicine, Printing—History, Proportion (Art), Renaissance, Wood-engraving

Title

Specimen Medicinae Sinicae

Description

The Specimen Medicinae Sinicae is the first illustrated book published on Chinese medicine in the West. It contains an overview of Chinese medical practices including acupuncture and meridian theories, semiology of the tongue, descriptions of Chinese pharmaceuticals and their uses, and an important translation of a Ming treatise on pulse diagnosis. The Specimen includes thirty engraved plates and woodcut illustrations in the text, depicting the Chinese doctrine of the pulse and the semiology of the tongue, along with eight tables showing the variations of the pulses. Explaining Chinese pulse theory to a European audience proved difficult. Insufficient description of the plates, which pictured figures with doubled lines running through the bodies, confused western audiences, who interpreted these representations as indication that the Chinese didn't know their anatomy. The publication of the Specimen Medicinae Sinicae did little to change the commonly-held belief that the Chinese were crackerjack diagnosticians, with a misguided idea of the body's interior. The tenets of Chinese medicine and diagnostics were also somewhat muddled in the minds of westerners. Nevertheless, the translation did much to introduce pulse lore, acupuncture, and new materia medica to a Western audience of medical practitioners eager to experiment.

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Subjects (LC)

Acupuncture—China, Anatomy, Chinese—History, Early works to 1800, Materia medica—China, Medicine, Medicine, Chinese, Medical illustration, Pulse—Measurement

Geographic Subject

China

$La methode curative des playes, et fractures de la teste humaine avec les pourtraits des instruments$

Title

La methode curative des playes, et fractures de la teste humaine avec les pourtraits des instruments

Description

Ambroise Paré is renowned as the father of modern surgery. In obstetrics, Paré pioneered a new way of turning an infant in the uterus. He also made significant advancements in the treatment of hernias, the fitting of artificial limbs and eyes, and devised a new instrument to reduce hemorrhage after amputation. As with much of his work, the Methode Curative was widely distributed and reached a large audience. Long considered a classic text on the treatment of head wounds, this book contains 74 woodcuts, many hand-colored and adapted from the corpus of Vesalius. The first section, devoted to the anatomy of the head, is illustrated with woodcuts. The anatomical engravings were modified from the woodcuts of Vesalius and completed by the talented Jean le Royer, King’s Printer. The second part of the book details the treatment of head wounds, skull fractures and diseases of the face. Included in this section are drawings of surgical instruments, many fashioned by Paré himself. The book contains the woodcut portrait by Jean Cousin, printed in an oval surrounded by Paré’s motto, “Labor improbus omnia vincit” (hard work conquers all). It is bound in limp vellum, with a gold-tooled vignette on the cover.

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Subjects (LC)

Anthropometry, Early works to 1800, General Surgery, Head—Anatomy, Head—Wounds and injuries, Medical illustration, Medicine, Surgery, Surgery—History, Surgical instruments and apparatus, Wood-engraving, Wounds and Injuries

Title

[Introduction]

Description

The Dutch West India Company occupied northeastern Brazil from 1624 to 1654. In 1638, the physician Willem Piso and astronomer Georg Markgraf arrived as part of Johann Maurits’ research staff, tasked with promoting scientific studies in Brazil. This is the Introduction to their collaborative illustrated folio volume, which spanned 12 books and was published in 1648. Rich in description of native life, the book contains 446 woodcuts illustrating local flora and fauna, and comprises the most important early documentation of zoology, botany and medicine in Brazil.

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Subjects (LC)

Botanical illustration, Early works to 1800, Indians of Central America, Indigenous crops, Indigenous peoples—Ecology, Natural history—Brazil, Natural history illustration, Medical geography, Medicine, Zoological illustration, Zoology—Brazil, Zoology—Pre-Linnean works, Wood-engraving

Title

Feldtbuch der Wundartzney

Description

This manual for military surgeons first published in Strassburg in 1517 was only the second handbook on surgery to be published in Germany in the vernacular. It was reissued at least twelve times, with translations in Latin and Dutch. The Feldtbuch was written and compiled by Hans Gersdorff, an Alsatian army surgeon who had served in the Burgundian war. The book enumerates treatments for the injuries most common to soldiers, including gunshot wounds, loss of limbs, and leprosy. The woodcut illustrations, many by Johann Ulrich Wechtlin, are among the earliest European depictions of surgery. The gaze in these illustrations and throughout the text belongs to the surgeon. Little attention in the text or image is paid to the recovery or long-term rehabilitation of the patient; the focus is on the squarely on the surgical procedure itself. The last section of the book is devoted to three Latin-German glossaries on anatomy, pathology and the medicinal uses of herbs.

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Subjects (LC)

Anatomy, Early works to 1800, Herbs—Therapeutic use, Medicine, Medicine—History, Medical illustration, Medicine, Military—Study and teaching, Pathology, Surgery, Surgery—History, Surgery, Surgical instruments and apparatus, Wood-engraving, Wounds and Injuries—Surgery

Title

Historae Rerum Naturalium, Liber Sextus, Qui agit Quadrupedibus, & Serpentibus

Description

The Dutch West India Company occupied northeastern Brazil from 1624 to 1654. In 1638, the physician Willem Piso and astronomer Georg Markgraf arrived as part of Johann Maurits’s research staff, tasked with promoting scientific studies in Brazil. This section of the Historia naturalis Brasiliae was written by Piso's colleague, the astronomer Georg Markgraf. Markgraf wrote the last eight sections of the Historia naturalis Brasiliae, of which this is the sixth. These sections as a whole were devoted to the medical uses of plants; to fish, birds, insects, quadrupeds and reptiles; and to full descriptions of geographic regions and their inhabitants. Markgraf also describes the appearance, habits, and environment of each animal depicted.

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Subjects (LC)

Botanical illustration, Early works to 1800, Indians of Central America, Indigenous crops, Indigenous peoples—Ecology, Natural history—Brazil, Natural history illustration, Medical geography, Medicine, Zoological illustration, Zoology—Brazil, Zoology—Pre-Linnean works, Wood-engraving

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